The National Youth Brass Band of Great Britain is inviting applications for a number of exciting voluntary opportunities to support the future development of one of the UK’s leading youth music organisations.

The Band is currently seeking to appoint three new Trustees, alongside a Volunteer Librarian, as part of its continued commitment to strengthening governance, preserving its musical heritage and supporting talented young brass and percussion musicians from across the UK.

Trustee Opportunities

The NYBBGB is looking to appoint Trustees with expertise in one or more of the following areas:

• Archive & Heritage Management
• Safeguarding / Health & Safety
• Equity, Diversity & Inclusion (ED&I)

The Trustees will play a key role in supporting the strategic direction and long-term sustainability of the organisation, helping ensure that young musicians continue to benefit from world-class musical opportunities, outstanding pastoral support and financial assistance through the Band’s bursary programme.

Previous trustee experience is not essential. The Band welcomes applications from individuals who can bring relevant professional expertise, fresh perspectives and a passion for supporting young people through music.

Volunteer Librarian Opportunity

The NYBBGB is also seeking a Volunteer Librarian to help manage and maintain the organisation’s extensive music library and archive.

Working closely with the artistic and operations teams, the Librarian will support the preparation of music for courses, rehearsals and concerts, while also helping preserve an important part of British brass band heritage. The NYBBGB archive dates back to 1952, when the Band was formed, and reflects more than seven decades of musical excellence and achievement.

This role would particularly suit someone with strong organisational skills, attention to detail and an enthusiasm for brass band music and music education. Previous experience as a music librarian is welcomed but not essential.

Join The NYBBGB Family

These voluntary roles offer a fantastic opportunity to contribute to a nationally recognised arts charity while supporting the musical and personal development of talented young musicians from across the UK. Reasonable expenses are reimbursed and much of the work can be undertaken flexibly and remotely.

Apply Now

🔗 Click here to find out more about and apply for our Trustee opportunities.

🔗 Click here to find out more about and apply for our Volunteer Librarian opportunity.

Applications for both roles close at 11.30pm on 30 May 2026.

More Information

To find out more about The NYBBGB and its work please click here.

You can also discover more about the organisation by watching the following short films:

🎬 https://youtu.be/T1PcnWz7qzw

🎬 https://youtu.be/FdwY4ezyEgA

The National Youth Brass Band of Great Britain is deeply saddened to share the news of the passing of John Gillam, a devoted servant of the organisation whose influence has shaped generations of young musicians and helped define the Band as it is today. John is survived by his wife Iglika, son George and daughter Florence. All of our thoughts are with John’s family at this very difficult time.

John’s journey with The NYBBGB began in 1975, when he joined as a BBb Bass player on the Easter course under the direction of Eric Ball. He would go on to attend eight courses, laying the foundations for a lifelong relationship with the organisation that would span five decades.

Alongside his early experiences with The NYBBGB, John went on to forge an outstanding playing career at the very highest level of brass banding. From his early years at Hammonds Sauce Works Band, through 13 years with Brighouse & Rastrick Band and later with Black Dyke Mills Band, John was recognised as a musician of exceptional authority and presence. He also performed with a number of leading ensembles including Flowers Band, and appeared as a guest with Foden’s, Fairey’s and Grimethorpe Colliery bands.

Reflecting on first meeting John as a fellow member of The NYBBGB, long-time friend, colleague and NYBBGB trustee Ewan Easton recalls: “I just remember being in awe of him – this giant of a man with an immense, powerful sound, yet such a deftness in how he used it. He made you feel safe. He was powerful and straight-talking, but everything he did came from a place of care and authority.”

That combination of strength, musicality and humanity became a defining feature of John’s contribution to The NYBBGB. Returning later as a Bass Tutor, he inspired countless young players, before moving into governance as a Council Member and, in January 2000, becoming Chairman – a role he held for 11 years.

John was once again appointed Chair of the newly formed Trustee Committee in 2020 and played a central role in revising The NYBBGB’s vision and strategy during a pivotal period of change, including the organisation’s transition to a Charitable Incorporated Organisation. He continued in this role with distinction, providing steady leadership and clear direction as the organisation developed and grew in ambition. His tenure was due to conclude in September 2026, and he had been delighted to support the appointment of Sue Hughes as his successor.

Ewan Easton reflects on John’s leadership: “He brought a sense of professionalism and direction, but always by bringing people with him. He had a remarkable ability to listen, to draw on the expertise of others, and to create a framework where the organisation could grow with confidence.”

John’s musical roots ran deep. Beginning as a chorister at Bradford Cathedral, he developed a profound sense of musicality that would underpin both his playing and his approach to leadership. His colleagues remember not only the power of his sound, but his resilience and composure.

Ewan recalls a defining moment: “I remember a performance in the European Championships at the Royal Albert Hall where John split a note in a major solo – the first time I’d ever heard it happen. But what stayed with me was what came next. The very next phrase was perfection. That was John – resilient, focused, never defined by a setback.”

Beyond his musical and professional achievements, it was John’s character that left the deepest impression. He combined strength with kindness, authority with humility and high standards with unwavering encouragement. “He had this ability to come right down to the level of a young player and bring out their very best,” Ewan reflects. “That power was always there, but so was the gentleness. That was John.”

In his professional life, John was equally accomplished, serving as a Global Logistics and Supply Chain Executive and holding senior roles at board level within multinational and FTSE 100 companies. He brought that same clarity of thought, discipline and vision into his work with The NYBBGB.

Mark Bromley, CEO of The NYBBGB, said: “John Gillam gave outstanding service to The National Youth Brass Band of Great Britain. From the outset, his commitment, wisdom and deep care for the organisation were clear. In 2018, we worked together on a new vision for The NYBBGB, helping to shape a confident future. Since 2020, I had the privilege of serving as CEO, with John as Chair, during which time he provided calm leadership, wise judgement and unwavering support. I remember John with real affection from the last time we were together in person, representing The NYBBGB at Windsor Castle in April 2025 for a reception with His Majesty The King – such was the occasion, John and I were the last two to leave! John leaves a lasting legacy and he will be greatly missed.”

John’s legacy within The NYBBGB is not easily defined by a single achievement. Rather, it is found in the culture he helped nurture – one of excellence, opportunity, resilience and care.

As Ewan Easton puts it: “His legacy is a feeling – a direction of travel. He gave the Band strength, focus and momentum. His loyalty was unquestionable, and his friendship immeasurable.”

For those who knew him best, it is that friendship that will be felt most keenly. “John was my go-to,” Ewan reflects. “A lifelong friend, a lifelong inspirer – always moving forward, always leading.”

John Gillam’s contribution to The NYBBGB and to the wider brass band movement was immense. His influence will continue to be felt for many years to come through the countless musicians and colleagues he inspired.

John will be greatly missed and fondly remembered.

There was nothing ordinary about the spirit of fun and fearlessness on display by the talented youngsters of The NYBBGB in Manchester.

New Horizons
Conductors: Nicholas Childs
Soloist: Mike Cavanagh
The Royal Northern College of Music, Manchester
Saturday 18th April 2026

4BR Verdict: 4.5/5 stars

The genius of Victoria Wood’s comedy was that despite the sharp edge of wit it never mocked its intended victims.

Instead, it celebrated the foibles of us all; from uncertainty to pomposity, binding love to unfulfilled desires. To her, people in their own way were simply funny. There was no need to be cruel in highlighting the differences.

Comedic spirit

Almost 10 years to the day following her death, that particular comedic spirit filled the RNCM with Victoria Wood: A Laugh Less Ordinary. 

Andrea Price’s work also affectionately celebrated difference in eschewing an obvious ‘greatest hits’ medley for a series of touchstone memories of Wood’s finest creations – from the gloriously gossipy Dinnerladies and the decrepit Mrs Overall from Acorn Antiques, to Brassed Up.

Life, love, friendship and loss were cleverly brought together – from her own self-doubts and shyness to the celebrated partnership with her comedy counterpoint, Julie Waters. It was a wonderful portrait (played joyful verve) of a ‘one-off’ star who left us all too early, but still able to put a smile on our face.

Elan

A celebration of equally pioneering female talent came with the superb performance of baritone soloist Mike Cavanagh in Martin Ellerby’s Turbulence, Tide and Torque concerto.

Aviator Harriet Quimby, life saver Grace Darling and racing driver Dorothy Levittt were brought to life with informed musical elan, later reinforced by the soloist in his command of incessant energy in Pulse by Thomas Doss and tender homage to Bramwell Tovey with Ave Maria by Gounod.

The upbeat sounds of Paul Lovatt-Cooper’s Horizons and A Fantasy of Joy opened each half, whilst Peter Graham’s Mill Town Revival was a timely reminder of 19th century musical pioneers who broke down more than simple entertainment barriers.

The major test-piece feature came with Bruce Broughton’s Heroes. The achievements of the Apollo moon landings of half a century ago are once again being echoed with current American space flight exploration, as the future generations of Space-X travellers performed with vibrant endeavour, featuring excellent solo leads and supportive ensemble ground crew from ignition to splashdown.

Musical maturity

Edward Gregson’s masterful An Age of Kings written almost 40 years ago, but still as evocative as if fresh off the pages of a parchment Plantagenet score, rounded off a fine concert from a band growing in its cyclical musical maturity.

Aided by harp, piano and fanfares of trumpets, Prof Nicholas Childs kept a tight tether on the Church and State opening with its pageantry as well as intrigue, whilst the interlude At the Welsh Court (featuring the plaintive voice of horn player Carys Morgan) offered tender intimacy before the bloody mayhem of battle and the triumph of a new King to be crowned.

The Lost Chord acted as the encore to a concert further endorsing the substance of The NYBBGB’s own pioneering spirit in celebrating differences.

Iwan Fox
4barsrest

Full review available here: https://www.4barsrest.com/reviews/concerts/con899.asp

Today marks 10 years since the passing of the brilliant Victoria Wood—a uniquely gifted writer, performer and national treasure whose humour, humanity and storytelling continue to inspire generations.

This Easter, The NYBBGB was deeply honoured to pay tribute to Victoria in both of our Easter concerts in Leyburn (11 April) and Manchester (18 April), through a brand-new commission ‘Victoria Wood: A Laugh Less Ordinary’, composed by Andrea Price and generously funded by The Victoria Wood Foundation.

The work was a heartfelt celebration of Victoria’s extraordinary legacy, bringing her unmistakable voice and comic brilliance to life in music, and creating a truly special moment in both performances.

We are also especially grateful that the funding from The Victoria Wood Foundation includes a significant donation to The NYBBGB Bursary Fund, helping ensure that no young musician is excluded from The NYBBGB experience due to cost—support that will make a lasting difference to the future of young brass and percussion players.

The NYBBGB’s tribute to Victoria Wood was also featured this morning on BBC Radio Manchester, which included an interview with composer Andrea Price and news coverage of the concert.

Listen here — interview at 01:58:00 and news report at 02:03:51

We join audiences everywhere in remembering and celebrating Victoria Wood—forever missed, forever loved and forever brilliant.

The National Youth Brass Band of Great Britain delivered a spectacular opening to its Easter Concerts 2026 on Saturday evening, as 500 appreciative audience members packed into The Garden Rooms at Tennants, Leyburn for an unforgettable performance of New Horizons.

The concert marked the culmination of an intensive week-long Easter residential course, bringing together 90 of the UK’s most talented young brass and percussion musicians aged 13 to 18. Under the inspirational direction of acclaimed guest conductor Prof Nicholas Childs, the 90-strong NYBBGB ensemble delivered a performance of exceptional maturity, brilliance and musical depth that left audiences astonished.

Guest soloist Mike Cavanagh, Solo Baritone of the Black Dyke Band, gave spellbinding performances throughout the evening, captivating the audience with Peter Graham’s powerful Concerto for Baritone, Thomas Doss’s virtuosic Pulse, and a deeply moving rendition of Gounod’s Ave Maria, performed in tribute to the late Bramwell Tovey.

A major highlight of the evening was the world première of Andrea Price’s Victoria Wood: A Laugh Less Ordinary, a newly commissioned work funded by The Victoria Wood Foundation. Trustees from the Foundation were present in the audience and described the piece as a profoundly moving tribute to the much-loved comedian, writer and musician, marking ten years since Victoria Wood’s passing this month.

Audience reaction to the concert was overwhelmingly enthusiastic, with many praising not only the ambition of the programme but the extraordinary standard of performance achieved by such young musicians. Several concertgoers, including regular attendees of performances by leading ensembles such as Black Dyke Band and Foden’s Band, commented that they were blown away by the quality, precision and artistry on display.

Following the triumph in Leyburn, excitement is now building for the second and final performance of New Horizons, which takes place this coming Saturday, 18th April at 6pm in the Concert Hall at the Royal Northern College of Music.

Tickets are selling fast, with only a limited number remaining. Book now here.

The National Youth Brass Band of Great Britain is preparing to unveil a very special world première at its Easter Concerts 2026, as part of this year’s inspiring theme, New Horizons.

Currently in residence in Harrogate, The NYBBGB, 90 of the UK’s most talented young brass and percussion players are working intensively under the direction of Professor Nicholas Childs to prepare a dynamic concert programme for performances on:

• Saturday 11 April – The Garden Rooms at Tennants, Leyburn, DL8 5SG. 🔗 Tickets
• Saturday 18 April – Royal Northern College of Music, Manchester, M13 9RD. 🔗 Tickets

A highlight of both concerts will be the world première of Victoria Wood: A Laugh Less Ordinary, a major new commission by acclaimed composer Andrea Price, generously funded by the Victoria Wood Foundation.

The work marks almost exactly ten years since the passing of Victoria Wood and stands as a powerful musical tribute to her extraordinary legacy as a comedian, writer, musician and performer.

The NYBBGB recently caught up with Andrea, who spoke in-depth about her new composition honouring Victoria, and how she approached creating a brand-new brass band work inspired by and celebrating her life and artistry.

A Commission of Real Meaning

For Andrea Price, the commission was both an honour and a significant creative challenge.

“It’s always a privilege to receive a commission,” she explains, “but this one carried a real sense of responsibility. Victoria Wood’s legacy is so vast—not just as a comedian and writer, but as a musician. When you look more closely, you realise just how instinctive and skilled she was as a composer.”

One of the central challenges lay in translating Victoria’s work into an instrumental form. Many of her most celebrated songs rely heavily on lyrics for their storytelling and humour.

“A lot of her music is deliberately simple because it serves the words,” Andrea says. “So removing the lyrics meant I had to find new ways for the music itself to carry that narrative and emotional weight.”

Finding the Story Beyond the Songs

Rather than creating a straightforward medley of well-known tunes, Andrea set out to build something deeper and more cohesive.

“What really struck me was that everything Victoria did was rooted in human connection—friendship, relationships, the way people interact. That became the foundation of the piece.”

This idea of connection is reflected throughout the work, particularly in the musical dialogue between instruments. The cornet and euphonium act as two distinct voices, representing Victoria and her long-time collaborator Julie Walters, whose friendship becomes a central thread running through the piece.

“It felt like a natural parallel with The NYBBGB itself,” Andrea adds. “The Band is all about connection—young people coming together, forming friendships that often last a lifetime.”

From Sitcom to Symphonic Scale

The work opens with a vibrant and theatrical reimagining of the iconic Dinnerladies theme, transformed into a dazzling fanfare.

“That theme perfectly captures Victoria’s genius—taking something ordinary and making it extraordinary,” Andrea explains. “I wanted to celebrate that by giving it scale and glamour—putting it on a pedestal in a way she probably never would herself.”

In contrast, the music soon shifts into a more intimate and introspective space. A virtuosic solo cornet cadenza portrays Victoria’s well-known stage fright and self-doubt.

“I imagine her backstage, giving herself a talking-to before going on stage,” Andrea says. “The music is deliberately exposed and challenging—it creates tension for both the performer and the audience. It’s a reminder that even the most brilliant performers feel nervous.”

A particularly inventive moment sees this musical line echoed by muted trombone, creating the effect of an internal dialogue—“a reflection in the mirror,” as Andrea describes it.

Reimagining Victoria’s Musical World

One of the most inventive sections of the piece draws on Victoria’s song Reincarnation, reimagined through a sequence of contrasting brass band styles.

“Without lyrics, repeating verses doesn’t work in the same way,” Andrea explains. “So I used the idea of reincarnation itself—music returning in different forms—to explore different styles.”

The result is a vibrant musical journey, moving through operatic writing, New Orleans-inspired jazz and a high-energy march—showcasing both Victoria’s versatility and the exceptional range of The NYBBGB musicians.

“The Band is an elite ensemble—they need to be challenged,” Andrea adds. “So it was important to create something that is technically demanding, but also exciting and fun to perform.”

Friendship, Loss and a Powerful Musical Symbol

At the emotional core of the work lies a profound exploration of friendship and loss, culminating in one of its most striking musical moments: the inclusion of Johann Sebastian Bach’s Fugue in C minor.

“That fugue is famously used in Acorn Antiques: The Musical! to signal the arrival of Mrs Overall—Julie Walters’ wonderfully eccentric character,” Andrea explains. “So it immediately brings Julie into the narrative in a recognisable way.”

But its significance runs deeper.

“A fugue is made up of independent musical lines weaving around each other—sometimes separating, sometimes coming back together. For me, that perfectly mirrored Victoria and Julie’s lives and careers.”

As the music develops, this intricate texture builds toward a moment of stark emotional clarity, reflecting the loss of Victoria at the age of 62.

“It’s almost exactly halfway through the piece,” Andrea says. “Everything changes. There’s a real sense of what might have been.”

From this point, the music moves into a deeply moving reimagining of Love Song, offering a moment of reflection, remembrance and quiet emotional power.

A Celebration of Legacy

The final section of the work draws inspiration from Victoria’s own connection to brass banding, including her much-loved Brassed Up sketch.

“It was such a joy to discover that sketch,” Andrea says. “You can see how much she loved brass band music—and she’s genuinely playing the cornet.”

The piece builds to a triumphant, hymn-like conclusion—celebrating not only Victoria’s life and work, but the enduring impact of her artistry.

“I wanted it to feel uplifting,” Andrea reflects. “To look forward as well as back. Her work continues to inspire people, and it will for generations to come.”

Inspiring the Next Generation

For Andrea, writing for The NYBBGB adds an additional layer of meaning—particularly at a time when access to music education is under increasing pressure.

“Opportunities like this are absolutely vital,” she says. “They don’t just develop musicians—they build confidence, friendships and a sense of belonging.”

She also hopes the piece will introduce a new generation to Victoria’s work.

“For many of these young players, this might be their first real encounter with her,” Andrea explains. “If this piece sparks their curiosity—if it encourages them to explore her music and her writing—then that’s something really special.”

Be Part of the Première

As The NYBBGB prepares to take to the stage, audiences are invited to experience a truly unique musical event—one that celebrates a national treasure while showcasing the extraordinary talent of the UK’s leading young musicians.

Limited tickets for both concerts are available now. As with all NYBBGB concerts and events, tickets are FREE for under 18s.

🔗 Click here to book tickets for The NYBBGB Easter Concert on Saturday 11 April 2026 – The Garden Room at Tennants, Leyburn.

🔗 Click here to book tickets for The NYBBGB Easter Concert on Saturday 18 April 2026 – RNCM, Manchester.

The National Youth Brass Band of Great Britain (NYBBGB) is delighted to announce the return of its Take A Seat scheme for 2026, supporting the development of talented musicians.

Take A Seat offers supporters the opportunity to sponsor a seat in The NYBBGB Youth Band and play a direct role in supporting the next generation of brass and percussion musicians.

The scheme enables individuals, families, charitable trusts and businesses to make a meaningful contribution to the Band’s work, helping to fund bursaries, world-class tuition, guest conductors and soloists, new commissions and a range of artistic development opportunities for young musicians. Thanks to the generosity of donors, six seats in The NYBBGB Youth Band were supported in 2025.

Founded on a legacy of excellence, The NYBBGB has nurtured generations of outstanding brass musicians whose careers have shaped the international brass band and classical music worlds. Alumni include leading figures such as Maurice Murphy, Ian Bousfield and David Childs, whilst today’s members continue that tradition as they develop their musical skills at the highest level.

As a registered charity, The NYBBGB relies on the generosity of supporters to help sustain and develop its programmes for talented young musicians across Great Britain. The Take A Seat scheme offers an opportunity for donors to connect directly with the Band and the young people they are helping to support.

Supporters can sponsor seats across the Band at a range of levels, from £500 for 2nd and 3rd desk players through to £3,000 for the prestigious Principal Cornet seat. Donors are recognised in concert programmes and on The NYBBGB’s website, receive updates about the musicians’ experiences and are invited to attend rehearsals and performances throughout the year.

Mark Bromley, Chief Executive Officer of the NYBBGB, said: “The response to the launch of Take A Seat last year was fantastic. Seeing six seats supported through the scheme in its first year demonstrates the real impact that our donors can have on the musical journeys of the next generation. By sponsoring a seat, donors become part of the NYBBGB family and help us continue providing life-changing musical opportunities for talented young brass and percussion players.”

The NYBBGB is now inviting supporters to Take A Seat for the 2026 season and help build on the success of the scheme’s first year.

If you would like to find out more or participate in The NYBBGB Take a Seat scheme, please click here.

The deadline to support the Band in 2026 via the Take A Seat scheme is Friday 3rd April 2026.

To find out more about all ways that you can support The NYBBGB, please visit our Support page.

The National Youth Brass Band of Great Britain (NYBBGB), the National Youth Brass Band of Switzerland (NJBB) and leading brass manufacturer Besson are delighted to jointly announce the Besson Horizons 2026 international musical exchange, marking the third year of a successful and growing partnership. United by a shared ambition “to increase understanding and widen opportunity”, the programme continues to connect outstanding young brass musicians across borders, offering transformative musical and cultural experiences.

Supported by Besson, the Besson Horizons exchange programme enables two young musicians from each country to participate in the other band’s summer course. The initiative is designed to broaden musical perspectives, deepen artistic development and foster lasting friendships, while celebrating the shared heritage and distinctive traditions of brass banding in the United Kingdom and Switzerland.

For 2026, four exceptional young musicians have been selected to take part in the exchange. Representing The NYBBGB are Matthew Hurst (baritone) and Stephanie Jonas (cornet), while Orianne Moren (flugel horn) and Tobias Rüedi (percussion) will represent the National Youth Brass Band of Switzerland.

In July, Matthew and Stephanie will travel to Switzerland to take part in the 51st NJBB A-Band course, which runs from 4th to 11th July 2026 in Huttwil, Switzerland. The course will be led by Guest Conductor Jean‑François Bobillier, a renowned Swiss brass band conductor and euphonium player, known for his work with the Ensemble de Cuivres Valaisan and his longstanding contribution to the Swiss brass community. The band will also be joined by Guest Soloist Stéphane Bertin (percussion), a seasoned performer with twelve years’ experience in the Ensemble de Cuivres Valaisan, bringing extensive expertise in both ensemble playing and solo percussion performance. This experience offers Matthew and Stephanie a unique opportunity to deepen their musicianship, explore Swiss brass band traditions, and perform under the guidance of leading figures in the international brass world.

In August, Orianne and Tobias will make the journey to the UK to take part in The NYBBGB 2026 Summer Course, held from 1st to 8th August 2026 at Taunton School. The course will be led by Guest Conductor Lieutenant Colonel Lauren Petritz-Watts, Principal Director of Music (Army). Lt Col Petritz-Watts has had a distinguished career in elite performance, conducting and leadership, including directing the Band of the Welsh Guards during the Funeral of HM Queen Elizabeth II, the Coronation and the King’s First Birthday Parade. Lt Col Petritz-Watts is the first woman to serve as Principal Director of Music (Army) since 1857. Participants will benefit from her extensive performance experience, musical insight and commitment to nurturing young musicians.

The course will culminate in The NYBBGB 2026 Summer Concert on Saturday 8th August 2026 at The Forum, Bath, conducted by Lt Col Petritz-Watts and featuring internationally acclaimed tuba player Sérgio Carolino as Guest Soloist. Carolino is Principal Tuba of the Porto Symphony Orchestra, founder of the GRAVÍSSIMO! Low Brass Festival & Academy and is celebrated for his virtuosity across classical, jazz and contemporary repertoire. His presence provides NYBBGB musicians and audiences with a rare opportunity to experience the artistry of one of the world’s most distinguished tuba players.

The four exchange musicians each bring impressive musical achievements and a clear passion for brass music. Matthew Hurst, a baritone player from East Lancashire, has progressed through eight NYBBGB courses and is a recipient of both the Jon Tinker Baritone Shield and the Maud Wright Award for leadership and service. Stephanie Jonas, from North Wales, is a former NYBBGB Principal Cornet, current Principal Cornet of the National Youth Brass Band of Wales, and an award-winning soloist studying music at the University of Oxford.

From Switzerland, Orianne Moren is an accomplished flugel horn player with Brass Band 13 Etoiles and a prize-winning soloist at regional and national competitions, while Tobias Rüedi is a versatile percussionist whose musical interests span brass banding, jazz and rock ensembles.

Now in its third year, the Besson Horizons international musical exchange stands as a powerful example of how collaboration, shared values and musical excellence can inspire the next generation of brass musicians. The NYBBGB, the NJBB and Besson are proud to continue this partnership, strengthening international links and widening opportunities for young artists through music.

Tommy Tynan, the solo Eb tuba player with Black Dyke Band has been crowned the winner of the 2026 National Youth Brass Band of Great Britain Young Conductor Competition.

The 28-year-old from Saddleworth confidently directed a 35-minute rehearsal of combined NYBBGB and British Army Band Tidworth players on Peter Graham’s ‘Shine as the Light’ to claim the honour.

Focussed purpose

His clear understanding of the score and ability to work with focussed purpose, secured the £750 first prize and also gain the opportunity to work as Assistant Conductor for the 2026 NYBBGB summer course and concert alongside Lieutenant Colonel Lauren Petritz-Watts.

The competition was supported by the British Army Music, with the pre-results entertainment provided by a quintet of musicians from the British Army Band Tidworth.

Victory rounded off a memorable, if exhausting couple of weeks for the former NYBBGB alumnus. He only returned home on Thursday after enjoying a six-day visit to work and perform alongside his friend Dr Boonyarit Kittaweepitak and students of the Brass Department at Mahidol University in Bangkok.

There he was able to conduct Eric Ball’s ‘Resurgam’ — one of the four works the four finalists had to prepare for the competition. He also used the time on the long-haul flight home to prepare the other compositions, including Peter Graham’s ‘Dimensions’ and Philip Sparke’s ‘Music for a Festival’.

Thanks

“I was very fortunate to be able to study the scores in depth on the flights to and from Bangkok,” he said. “And I must thank Boonyarit for his generosity in allowing me to work on ‘Resurgam’ with his students — it was so beneficial.”

He added: “My thanks also go to Prof Nicholas Childs at Black Dyke Band and Glyn Williams at Aldbourne in allowing me time to work on the other pieces ahead of competition. Their help and advice was invaluable.”

The blind draw saw Tommy pick ‘Shine as the Light’ as the first contender of an enlightening competition between four talented finalists at different experience points in their conducting careers.

His focused preparation and clear rehearsal approach in tackling the tricky challenges posed by the score (especially its transitions and aleatoric section) were noted by the judges, Major Craig Bywater (Chief Instructor at the Royal Military School of Music) and Dr Robert Childs (NYBBGB Director of Artistic Planning).

Impressive

“It was impressive conducting — a nice mix of creating excellence through endeavour and enthusiasm from the players,” said Dr Childs.

That was also noted by Major Bywater, who was also full of praise for the quartet of finalists. “Each showed, passion, flair and technique in fully engaging with the musicians,” said Major Bywater. “All were very impressive and offered so much in how they expressed themselves through the music.”

Fellow finalists were Ammal Bhatia aged 26, who is currently completing a Master’s in Conducting at the Royal Conservatoire of Scotland, and who directed ‘Music for a Festival’ with polished ease, whilst 22 year old Joey Wong, a peripatetic brass teacher within Liverpool’s Music Service and MD of YBS (Poynton) Band, confidently led on ‘Dimensions’.

25 year old Glasgow-based conductor and trumpet player Megan Bousfield rounded off the quartet with a detailed appreciation of the transitional and stylistic difficulties of Eric Ball’s ‘Resurgam’.

Looking forward

Although the winner has already packed a great deal into his brass banding career -graduating with First Class Honours from the University of Huddersfield and going on to perform with Oldham (Lees), Fairey and Cory, before his move the Black Dyke Band in 2025, he is now looking forward to balancing his playing and conducting in the future.

Tommy added: “I’ve been fortunate to tutor at Norway’s Manger Folkehøgskule and worked with the Five Lakes Silver Band in the USA, and I’m really excited to direct Lostock Hall Memorial Band as MD, with the North West Areas coming up.

I’m really looking forward to the future, and especially as a former playing member, in working with the National Youth Band their Summer course. These are amazing opportunities for me.”

Back home

For the time being though he has had to put immediate victory celebrations on hold as he put the glass trophy into his car and headed back home to prepare for a rehearsal with Black Dyke Band ahead of their appearance at the RNCM International Brass Band Festival in Manchester.

You can find out more information about all four competition finalists here.

The National Youth Brass Band of Great Britain is delighted to announce the four finalists selected for the Young Conductors’ Competition 2026: Ammal Bhatia, Megan Bousfield, Tommy Tynan and Joey Wong.

Now in its third edition, this prestigious biannual competition — proudly supported by British Army Music — is designed to discover and develop the most outstanding emerging brass band conductors aged 20 to 30. This year’s competition attracted 19 exceptional entrants from both brass band and non-brass band backgrounds across the UK and beyond, reflecting the growing reach, ambition and prestige of the competition.

The four finalists will go head-to-head at The NYBBGB Young Conductors’ Competition Live Final on Saturday 17th January 2026 at Tidworth Garrison Theatre, Wiltshire. The event is free to attend, with tickets available to book here.

Find out more about the Young Conductors’ Competition 2026 finalists here.

Ammal Bhatia (26) is a dynamic young conductor currently completing a Master’s in Conducting at the Royal Conservatoire of Scotland as a Leverhulme Scholar, studying under Martyn Brabbins and receiving additional mentorship from Sian Edwards and Jonathan Mann. He has participated in masterclasses with Jac van Steen and Stuart Stratford, and has been personally mentored by Adam Szabo, former Chief Executive and Artistic Director of Manchester Collective and now Director of the BBC Philharmonic. Find out more about Ammal here.

Megan Bousfield (25) is a Glasgow-based conductor and trumpet player whose fast-rising career reflects a deep-rooted passion for brass banding and a commitment to musical excellence. Originally from Manchester, she began learning cornet at the age of six under the guidance of her father, leading to early performance opportunities with Greenalls Brewery Brass Band, The VBS Poynton Band and later as Principal Cornet of the Foden’s Youth Band. Her orchestral experience broadened in 2016 when she became Associate Principal Trumpet of the Hallé Youth Orchestra, performing on three European tours. Find out more about Megan here.

Born in Saddleworth, a stronghold of British brass banding, Tommy Tynan (28) was immersed in music from a young age. After early beginnings on cornet and drums, he discovered his passion for the tuba and joined Marsden Silver Prize Band at 14 where he progressed rapidly, earning a place with The National Youth Brass Band of Great Britain and collecting awards including the Tom Atkinson and Katie Ogden Solo Awards. Find out more about Tommy here.

Joey Wong (22) is an emerging conductor whose dynamic musical profile spans brass banding, wind ensembles and music education. In 2025 he was the youngest semi-finalist in the Brass Band Conductors’ Association Conducting Competition, where he had the privilege of working with the Hammonds Band. He currently studies conducting with Russell Gray, following his participation in Gray’s 2024 Scottish Masterclasses held at Bathgate Band. Joey recently conducted the KNDS Fairey Band after successfully auditioning for the RNCM Conducting Masterclass under Mark Heron, and he now serves as Musical Director of the Vernon Building Society (Poynton) Brass Band. Find out more about Joey here.

Find out more about the Young Conductors’ Competition 2026 finalists here.

A Career-Launching Opportunity for Young Conductors

At the final, each conductor will take to the podium to rehearse one of four iconic brass band works with a joint ensemble of players from The NYBBGB and British Army Music in front of a live audience. The judging on the day will be conducted by Major Craig Bywater (Chief Instructor at the Royal Military School of Music) and Dr Robert Childs (The NYBBGB’s Director of Artistic Planning and leading brass band conductor and educator).

The winner will earn the title NYBBGB Young Conductor 2026 and will be appointed Assistant Conductor for The NYBBGB summer course and concert 2026, working alongside Lieutenant Colonel Lauren Petritz-Watts and conducting at the Band’s flagship performance at The Forum, Bath on 8th August 2026.

During judges’ deliberations, the live final audience will also enjoy a special 45-minute performance from a brass quintet drawn from The Royal Corps of Army Music.

Dr Robert Childs, NYBBGB Director of Artistic Planning and judge, said: “We’re absolutely thrilled by the response to this year’s competition. The number and calibre of entries from such a wide range of musical and cultural backgrounds shows the remarkable reach and prestige of this event. The NYBBGB Young Conductors’ Competition is a springboard for musicians ready to take their place on the national stage. We’re looking for conductors who not only demonstrate technical command and musicianship, but who can communicate, inspire and lead with creativity and confidence. We’re very excited to see the four best entrants take to the podium in January. It promises to be a truly inspiring and exciting event.”

Mark Bromley, NYBBGB Chief Executive, added: “This competition is exactly what The NYBBGB stands for — backing the future of brass music by empowering young leaders with high-impact professional experience. We are hugely grateful to British Army Music for supporting this vital opportunity.”

The competition live final is free and open to all, offering audiences the chance to witness live the artistry, energy and leadership of some of the UK’s most exciting emerging conductors. FREE tickets for the live final can be booked here.

The National Youth Brass Band of Great Britain will host the live final of its Young Conductors’ Competition 2026 on Saturday 17th January 2025 at Tidworth Garrison Theatre, Wiltshire – admission is completely free.

FREE tickets for the live final can be booked here.

Now in its third edition, this prestigious biannual competition, supported by British Army Music, aims to discover and develop the most promising brass band conducting talent aged 20 to 30.

This year’s competition attracted 19 exceptional entrants from both brass band and non-brass band backgrounds across the UK and beyond — a reflection of the prestige of The NYBBGB’s competition and how it continues to inspire young musicians from varied musical and cultural backgrounds.

The shortlisting process to select the four finalists is currently being undertaken by a distinguished panel comprising Lieutenant Colonel Lauren Petritz-Watts (Principal Director of Music, British Army – the first woman to hold the role since 1857) and Dr Robert Childs (The NYBBGB’s Director of Artistic Planning and leading conductor and educator). The four finalists who will compete in the live final will be announced in December.

At the live final in January, each finalist will take to the podium to rehearse one of four iconic brass band works with a joint ensemble of players from The NYBBGB and British Army Music in front of a live audience. The judging on the day will be conducted by Major Craig Bywater (Chief Instructor at the Royal Military School of Music) and Dr Robert Childs.

The finalists are competing for the prestigious title of NYBBGB Young Conductor 2026 – and for the opportunity to become Assistant Conductor for The NYBBGB’s 2026 summer course and concert, working alongside Lieutenant Colonel Petritz-Watts and conducting at the Band’s flagship performance at The Forum, Bath on 8th August 2026.

During the judges’ deliberations, the audience will also be treated to a special 45-minute brass quintet concert, featuring musicians from The Royal Corps of Army Music.

Dr Robert Childs, NYBBGB Director of Artistic Planning and competition judge, said: “We’re absolutely thrilled by the response to this year’s competition. The number and calibre of entries from such a wide range of musical and cultural backgrounds shows the remarkable reach and prestige of this event. The NYBBGB Young Conductors’ Competition is a springboard for musicians ready to take their place on the national stage. We’re looking for conductors who not only demonstrate technical command and musicianship, but who can communicate, inspire and lead with creativity and confidence. We’re very excited to see the four best entrants take to the podium in January. It promises to be a truly inspiring and exciting event.”

NYBBGB Chief Executive Mark Bromley added: “This competition shows exactly what we stand for: backing the next generation of music leaders with serious, career-shaping opportunities. Young conductors don’t just learn here – they step up, grow fast and perform at a level that genuinely counts. I am most grateful to our partner British Army Music for their ongoing support.”

The event is free and open to all, offering audiences the chance to witness live the artistry, energy and leadership of some of the UK’s most exciting emerging conductors. FREE tickets for the live final can be booked here.

Find out more about The NYBBGB Young Conductors’ Competition 2026 here.

A new musical commission, bursary programme and celebration of Victoria Wood’s legacy is set for The National Youth Brass Band of Great Britain’s 2026 season.

The National Youth Brass Band of Great Britain (NYBBGB) and The Victoria Wood Foundation are delighted to announce an exciting new funding partnership for the 2026 season, marking a powerful fusion of musical excellence and charitable purpose.

As part of this collaboration, The Victoria Wood Foundation will fund a brand-new musical commission inspired by the much-loved songs and work of the late Victoria Wood. This vibrant new piece will be written by acclaimed composer Andrea Price and premièred at The NYBBGB Youth Band’s Easter concerts on Saturday 11th April 2026 at The Garden Rooms at Tennants, Leyburn, and on Saturday 18th April 2026 at The Royal Northern College of Music, Manchester. Both performances will be conducted by Professor Nicholas Childs, one of the UK’s most prominent brass band conductors.

In addition to the commission, the Foundation’s generous support will also provide bursaries for young musicians to attend NYBBGB courses in 2026, ensuring that financial barriers do not prevent talented children from participating. The funding will also enable the award of leadership bursaries to support mentors working with the Children’s Band.

This special partnership comes in the year that marks the 10th anniversary of Victoria Wood’s passing, offering a fitting tribute to her deep connection with brass band music. A trumpet player herself, Victoria’s affection for brass banding was evident in her songs, sketches and TV work, including ‘Dinnerladies’, ‘Victoria Wood as Seen on TV’ and her parody of the film ‘Brassed Off’ during her festive special ‘Victoria Wood with All the Trimmings’ in 2000. The Black Dyke Band, with whom Victoria had a close relationship, even appeared in the Christmas episode of ‘Dinnerladies’ in 1999, featuring Professor Nicholas Childs, Guest Conductor for The NYBBGB’s Easter 2026 course and concerts, and Dr Robert Childs, The NYBBGB’s Director of Artistic Planning.

Andrea Price’s new commission draws inspiration from Victoria Wood’s rich musical legacy and will explore the themes of friendship and human connection – both central elements of Victoria’s work. The composition will capture Victoria Wood’s distinctive wit, warmth and musicality, and will incorporate melodies from her celebrated songs, sketches and musicals. From playful childhood motifs to heartfelt lyrical solos, culminating in a powerful finale, the piece promises to be a joyful and emotional tribute.

Andrea Price commented: “It’s an enormous privilege to be entrusted with this commission. Victoria Wood’s music and humour were so full of heart and humanity, and I hope to honour that spirit in this new work. Writing for The NYBBGB is always inspiring – their energy, talent and commitment are second to none – and I’m thrilled to be creating something that celebrates such an iconic artist while supporting the next generation of young musicians.”

Louise Shaw, The NYBBGB ‘s Fundraising Manager commented: “We are incredibly honoured to be working with The Victoria Wood Foundation, who has supported The NYBBGB since 2024. Victoria’s legacy as a performer, musician and writer continues to inspire generations, and this project allows us to introduce her work to young musicians in a truly creative and meaningful way. This partnership also helps remove financial barriers for talented young players – a cause close to both our missions.”

Catherine Edis, The Victoria Wood Foundation Trust Administrator added: “When we attended The NYBBGB’s Summer Stage performance in 2024 at St Martin-in-the-Fields, we were struck by the talent, passion and mission of this extraordinary youth organisation. Victoria herself loved brass band music, and we are delighted to support projects that celebrate her legacy while empowering the next generation of musicians.”

More information about The NYBBGB Youth Band Easter 2026 Concerts can be found here.